Yeh Hai Mohabbatein 2. December 2. 01. 4 Written Episode Update. Yeh Hai Mohabbatein 2. December 2. 01. 4 Written Episode, Written Update on Telly. Updates. com. The Episode starts with Raman and Ishita being shocked to see Adi and Shagun. Adi asks them to see mum. Raman and Ishita take Shagun and ask her to come home. Adi says I told this to her, and she said we don’t have any home. Shagun says yes, we don’t have home. Ishita says Adi, you are not alone, you have a home, we are here. They take Adi and Shagun home. Everyone at home talk about Ishita and Raman’s date and joke. Bhalla says my son is not rat, he is tiger, and blesses them for their love and togetherness. They have done things for others always, its time they do something for each other. The 80s was the era of Doordarshan with soaps like Hum Log, Buniyaad and comedy shows like Yeh Jo Hai Zindagi which made Doordarshan a household name. Circus, Gul. Raman rings the bell and Simmi opens the door. They ask what happened, why did he come home. They are shocked to see Ishita bringing drunkard Shagun and Adi. They ask what happened. Simmi takes Adi. Ishita asks Simmi to help in taking Shagun upstairs. Bhalla makes Adi have water. Its night, Ishita takes care of Shagun and makes her rest. Raman stands outside the room and says Ishita is doing so such for the woman, who did not do anything for you, I m lucky to have a good wife like you. Bhalla says its fine, trust Lord, everything will be fine. Raman says did you see Adi’s state, what life did I give to my children. She says we all will manage. He says I m afraid Shagun and Adi does not misbehave with Ishita. She says don’t worry, she will manage, its good Adi came to us, don’t let him see your state, you have to become strong for Adi’s sake. Raman says you go, I will come. Also check Poll . Raman looks on. Everyone see Adi very upset. Bhalla tells Raman that Adi is very tensed, don’t know what have he seen. Raman tells Simmi that Adi does not like hot milk, he likes chocolate milkshake, I will make it. Bhalla tells Adi that Raman loves her and he is making it himself. Raman brings it and gives Adi. He says if you don’t drink, your Dadi will have it, its her fav too. He makes Adi drink it. Ashok drinks wine and says I married Mihika and no one can stop from spending suhaagraat with her, Mihika my love, I m coming. Mihika sees her and Mihir’s pics in her mobile and is upset. Ashok brings wine glasses and says sorry baby, I made you wait a lot. She beats him with pillow and asks him to get out. Artisteer - web design generator for Joomla templates, Wordpress themes, Drupal themes, Blogger templates and DNN skins. Yeh Hai Mohabbatein is an upcoming Indian television soap opera, scheduled to go on-air from November 25, 2013 on Star Plus channel. Television queen Ekta Kapoor of. Pes demo download 2006 pride and prejudice download 2005 download bot no pw fate zero opening 2 video download download gratis hotspot shield launch download jadoo. Badi Door Se Aaye Hain. Badi door se aaye hai is a story of 5 aliens, extraterrestrial people, from a different galaxy, who come to earth with an aim to find their. Ashok says you are my wife and its out first night together. She says what do you think you have right on me, I will break your hand. She says you think you will get everything, we married for a reason. FB shows Ashok and Suraj acting. Mihika comes rushing and asks what happened to him. Ashok says Suraj is in coma and Mihir did this, how did he hit Suraj. Mihika requests doctor to treat Suraj. The doctor says Suraj is critical and inform police. Mihika stops Ashok from calling police. Ashok says I will get Mihir punished. Also Check . He says fine, you will have to marry me. She comes in present and says you won, you took revenge from everyone by marrying me, I became trophy and just keep me, we can’t have any relation. She asks him to get out of the room. Ashok says I won’t go. She says she will call police and tell that he is forcing me, then what will happen, you will have domestic violence case and you will go jail, if you don’t want this, just leave. Ashok says lets compromise, I will sleep on sofa. She kicks him out and says don’t come inside the room without permission. Ashok says whats this, Shagun was better than her. She asks is he missing Shagun, good, think about her, this would have not happened if you married Shagun, now bear the punishment. Bhalla asks Adi to have food and makes him eat. Raman asks where did he get Shagun in this state, what happened with her. Bhalla says tell us. Adi says Ashok calls mum and he called her to meet, mum said they will be marrying soon. FB shows the relevant scene. Adi says mum did not come home, so I called, and some uncle told me. Raman asks what did he say. Adi says he said mum is drunk, and fell down, when I reached there, she was much drunk. Raman asks then. Bhalla asks what did Ashok do. Adi says mum said Ashok uncle got married. Raman says what. Adi says Ashok insulted mum and called her junk, and kicked her out. Raman asks whom did Ashok marry. Adi says Mihika aunty. They all are shocked. Ashok drinks wine in the living room. Raman comes and beats him on the head. Ishita asks where is Mihika and goes to her. Raman beats Ashok for blackmailing Mihika. Ishita confronts Mihika for marrying Ashok. She says she will free her, just tell me why did she do this, you did this last time also, you are an idiot, you should have told me and Raman. Mihika says relax, you have habit to get senti and overreact, I married Ashok by my wish, he did not force or blackmail me, I m happy. Ishita says see in my eyes and tell this, and holds her face. She asks did you wanted to marry Ashok. Mihika says yes. Ishita says you are lying, are you mad. Why are you not growing up, all this is nonsense, this is not marriage, did you think about Mihir, did you talk to him? She says we are with you, we came to take you, remove this mangalsutra. Mihika says enough, don’t say that, Ashok is my husband, don’t touch this, I don’t like it. Also Check . Ishita cries and says come with me. Mihika says I was about to marry Mihir, but think, I felt he is not the guy for me. Mihika says whats your husband, Raman, he is CEO of a company, rich and powerful. Why should I marry his slave then, not fair, and I m ambitious, I love money and power, I want these things, I struggled whole life and now I m Mrs. Ashok Khanna, wife of a rich and powerful man, when the scandal happened, I have seen Mihir, he is weak and doubted me, he did not save me, so I thought to save myself, I married Ashok, look at me and my house, luxury and power, Ashok will open a company for me, I will the boss. Ishita says I don’t know who are you. Mihika says I loved Mihir, but weak people can’t make successful life, I had a choice, I chose power and money, I think I took the best decision, I m being honest, I have seen Amma struggle, I can’t do it, I can’t live like Vandu and Bala, I want all this, I married a rich eligible bachelor, why should I regret, calm down. She says lets not waste time. Ishita slaps her. Precap: Ishita tells Shagun that Adi has seen a lot, I really feel he need home environment. Shagun says I m guest and should have fixed leaving date, I want respect for Adi and me. She goes out and says now I will see who will be guest and who not. Update Credit to: Amena. Hindi albums starting with A,Hindi Music downloads, Listen to Hindi songs online. Your music will resume in 0: 2.
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He drugs the Dude's White Russian cocktail, causing The Dude to have a dream sequence involving Maude and bowling. The Dude awakens in police custody, where he is verbally and physically assaulted by the Malibu police chief. During the cab ride home, the Dude gets thrown out after he asks the cab driver to simply change the radio station. A red sports car zooms past and the viewer sees that Bunny is driving, with all her toes intact. The Dude finds his bungalow completely trashed and is greeted by Maude, who seduces him. He figures that Treehorn drugged him so that his goons could look for the ransom money at the Dude's home. After Maude has sex with him, she says she hopes to conceive a child; the Dude is about to protest the idea of being a father but Maude tells him that he doesn't have to have a hand in the child's upbringing. Maude also explains that her father has no money: her mother was the wealthy one and she left her money exclusively to the family charity. The Dude later tells Walter that he now understands the whole story: when Lebowski—who apparently hated his wife—heard that Bunny was kidnapped, he withdrew money from the foundation, kept it for himself, and gave the Dude a briefcase without any money in it, saying that it contained a million dollar ransom. The kidnapping was also a ruse: when Bunny took an unannounced trip, her friends (the nihilists) faked a kidnapping to be able to extort money from Lebowski. Walter and the Dude confront the Big Lebowski, who refuses to admit responsibility, but is thrown out of his wheelchair by Walter, who believes that he's faking his paralysis. The affair apparently over, the Dude and his bowling teammates return to the bowling alley. When they leave, they are confronted in the parking lot by the nihilists who have set the Dude's car on fire. They, once again, demand the ransom money. After hearing what the Dude and Walter know, the nihilists try to rob them anyway. Walter violently overcomes all three, biting the ear off one of them. However, in the excitement, Donny suffers a fatal heart attack. Walter and the Dude go to the beach to scatter Donny's ashes. Walter turns an informal eulogy into a tribute to the Vietnam War. After accidentally covering the Dude with Donny's ashes, and after a brief argument, Walter hugs him and says, . Fuck it, man. Let's go bowling. Bridges had heard or was told by the Coen brothers that they had written a screenplay for him. Walter was based, in part, on screenwriter and director John Milius. Walter's repeated response, . According to Reid, Charlize Theron tried out for the role. The character of Uli originated on the set of Fargo between Ethan Coen and Stormare, who often spoke in a mock German accent. The Coen brothers let Turturro come up with a lot of his own ideas for the character, like shining the bowling ball and the scene where he dances backwards, which he says was inspired by Muhammad Ali. It'll be something he can really run with. Ethan said, . We wanted to have a narrative flow, a story that moves like a Chandler book through different parts of town and different social classes. In the movie adaptation of Chandler it's the main character that speaks off- screen, but we didn't want to reproduce that though it obviously has echoes. It's as if someone was commenting on the plot from an all- seeing point of view. And at the same time rediscovering the old earthiness of a Mark Twain. That suited the retro side of the movie, slightly anachronistic, which sent us back to a not- so- far- away era, but one that was well and truly gone nevertheless. When the Coen brothers wanted to make it, John Goodman was filming episodes for the Roseanne television program and Jeff Bridges was making the Walter Hill film Wild Bill. The Coens decided to make Fargo in the meantime. Joel Coen cites Robert Altman's The Long Goodbye as a primary influence on their film, in the sense that The Big Lebowski . This is a normal writing process for them, because they often . That way we've already accumulated pieces for several future movies. In casting the film, Joel remarked, . In The Big Lebowski we did write for John . I lived in a little place like that and did drugs, although I think I was a little more creative than the Dude. According to Joel, he . This carried over to the film's dream sequences. In the first dream sequence, the Dude gets knocked out and you see stars and they all coalesce into the overhead nightscape of L. A. The second dream sequence is an astral environment with a backdrop of stars. The Coen brothers told Heinrichs that they wanted Treehorn's beach party to be Inca- themed, with a . So there's a very sacrificial quality to it. They told him that they wanted some parts of the film to have a real and contemporary feeling and other parts, like the dream sequences, to have a very stylized look. For his dance sequence, Jack Kehler went through three three- hour rehearsals. At each rehearsal, he went through each phase of the piece. She worked only two weeks on the film, early and late during the production that went from January to April 1. However, with the Dude's apartment, Deakins said, . The visual bridge between these two different looks was how he photographed the night scenes. Instead of adopting the usual blue moonlight or blue street lamp look, he used an orange sodium- light effect. The challenge for them was figuring out the relative speeds of the forward motion and the rotating motion. CGI was used to create the vantage point of the thumb hole in the bowling ball. While the Coens were writing the screenplay they had Kenny Rogers' ? They knew that they wanted different genres of music from different times but, as Joel remembers, . Former Stones manager Allen Klein owned the rights to the song and wanted $1. Burnett convinced Klein to watch an early cut of the film and remembers, . For example, . So there's a musical signature for each of them. The album cover of their record Nagelbett (bed of nails) is a parody of the Kraftwerk album cover for The Man- Machine and the group name Autobahn shares the name of a Kraftwerk song and album. In the lyrics the phrase . This is a reference to Autobahn's nihilism in the film. It was also screened at the 4. Berlin International Film Festival. It grossed USD $5. US$1. 7 million in the United States, just above its US$1. The film's worldwide gross outside of the US was $2. There's a large amount of profanity in the movie, which seems a weak attempt to paper over dialogue gaps. No one does it like them and, it almost goes without saying, no one does it better. Julianne Moore : : Celebrity Movie Archive. Julianne More in a threesome with a guy and Jennifer Gibson. The three of them are lying on their sides naked as the guy has sex with Jennifer from behind and Julianne puts her arms around him. He then gets off the bed to use the phone and Julianne and Jennifer remain on the bed, where Jennifer lesbian kisses Julianne. The guy watches as Julianne then imagines Sarah Gadon is in Jennifer's place, and Julianne quickly gets off the bed, giving us a view of Sarah topless. Lastly, we see Jennifer back on the bed looking puzzled. From Maps to the Stars. With the latest one, . Told via flashback in the early 2. Caesar, leading his troops in the final battle for the planet against the humans in a post- apocalyptic society. Much of the humans have been wiped out by nuclear war and those who survive are radiation scarred ones living in underground ruins. Caesar has to also deal with a gorilla General named Aldo who’s trying to stage a coup thinking his leader is too soft on the humans. Made on a pittance compared to the original, it featured laughable effects and horrible writing. While it did carry forward some of the themes introduced in earlier movies, particularly about the need for coexistence between apes and humans, the movie was just an excuse to milk the franchise for all it’s worth. Planet of the Apes (2. Tim Burton rebooting a sci- fi classic, featuring talking apes would have made for a mouth- watering proposition during the turn of the 2. The original has all the whimsical oddities and thematic elements that are evident in Burton’s earlier work. The finished product however made everyone go back and watch the original just to wash away the memory of ever having witnessed this train wreck. It adapted much of the story from the original but with a few added twists of its own to create a Hollywood spectacle including that inexplicable final twist of an ape Abraham Lincoln that made no sense whatsoever. Excellent make- up and effects coupled with a first- rate cast couldn’t hide the mind- bogging ludicrous plot and hokey tone. It even featured original . Tim Roth however chewed up scenery like a ravenous bear as the evil, General Thade. Beneath the Planet of the Apes (1. When the original did well, Hollywood did what it knows best, make a franchise out of the damn thing. This one was obviously intended to be a cash- grab attempt to quickly capitalise on the unexpected success of the first film. Made to look like the original on an evidently smaller budget, it surrendered much of the socio- political subtext that made the first one, great. After his immensely anguish laden moment in the climax of . Unfortunately and and under hilarious circumstances he’s captured and held captive by a cult comprised of subterranean mutant humans who worship a giant nuclear bomb. Another human astronaut crash lands on the planet with his mission being to save Heston’s crew. But much like in the first movie he soon gets a lesson about his new surroundings and the dominant species on the planet. The newly introduced faction of human mutants, only serve to add fodder for the plot’s inter- species conflict to ensure action sequences in new locations towards the end of the film. Though some of the sequences might seem ambitious for that time, they have not aged well, particularly that wall of fire in the desert. Conquest of the Planet of the Apes (1. It had its share of ridiculousness and budget cuts compared to the earlier parts but this one truly leads in from its immediate predecessor in completing the story arc of Caesar’s rise as the leader of the apes. The story feels necessary and organic rather than forced and there are enough allegories attempting to merge real human history and the mythology that the past movies had built. A virus wipes out all cats and dogs in the future, leaving humans to turn to keeping apes as pets. A young Caesar born of parents who were from the future undergoes torture at the hands of human captors when separated from his sympathetic owner. He leads the ape revolt against humans, laying the foundation of the first movie’s ape society. The movie also starred the legendary Ricardo Montalban who played Khan in Star Trek: The Wrath of Khan. Escape from the Planet of the Apes (1. A complete twist on the original’s plot, this one has a spaceship carrying ape astronauts that crashes into present day (1. It takes the plot of the original and flips it around completely and reveals humans as being no different as the apes when encountering an equally capable species. They show the same fear, apprehension and paranoia that the apes showed to the first intelligent human they met in the original movie. Though how did the apes figure out the nuances of being an astronaut is never explained. Rise of the Planet of the Apes (2. Tim Burton did to the apes franchise what Joel Schumacher had done to his Batman movies, made it a Hollywood pariah that no one would dare touch for another ten years. That was until director Rupert Wyatt and the writing duo of Amanda Silver and Rick Jaffa came along and laid the bricks for a new series to be born from the rubble of Burton’s disaster. Rising like a phoenix, this was a magnificent reboot that salvaged the best bits from the series and coupled with the latest technology delivered a thinking man’s blockbuster. James Franco’s scientist adopts an orphaned baby chimp, who’s intelligence has been enhanced because of the drug testing his mother underwent. The ape raised with a lot of affection finds the outside world as cruel and harsh when he’s taken away from his home later in life. Soon he finds his place amongst his kind and using his superior knowledge starts the ape revolution. Gone were the body suits, replaced by CGI motion capture and Andy Serkis as Caesar was simply astounding. Dawn of the Planet of the Apes (2. Slash. Film editor Peter Sciretta has chimed as well, going so far to claim that . Rise of the Planet of the Apes is a 2011 American science fiction film directed by Rupert Wyatt and starring James Franco, Freida Pinto, John Lithgow, Brian Cox, Tom. An astronaut crew crash-lands on a planet in the distant future where intelligent talking apes are the dominant species, and humans are the oppressed and enslaved. Battle for The Planet of the Apes opens to a brief interlude with narrator John Huston as an ape. The ambition to create a series that organically builds to a crescendo while honouring all that which came before seems to be very strong with this rebooted franchise. The movie takes place many years after . The apes led by Caesar have created their own sanctuary and society hoping to lead a peaceful life but a run in with human’s looking for a power source for their homes leads to friction. With mistrust on both sides ever present and the need to be the dominant species of the utmost importance, it allows for a scenario of power struggle that only the players perpetrating think will lead to a better future but instead paves the way for further conflict. The effects are even better than . The only reason it’s not number one on the list is because the original movie was such an iconic achievement. Planet of the Apes (1. Based on the French novel by Pierre Boulle, the movie’s position in the annals of cinema and sci- fi cinema in particular is of the highest order. The immense philosophical, social, and racial subtext in the movie has been mined repeatedly for countless other films and pop- cultural references. Filled with iconic imagery and dialogues, the movie has left an impression like few other films. The final twist itself has been used in countless parodies and jokes but hits you like a ton of bricks the first time you watch it. Best To Worst: Ranking The . Whether that will translate into box office is anyone’s guess, but the omens are in its favor: . To celebrate the release of . You Are Reading: Planet of the Apes Could Continue After Caesar & Still Star Andy Serkis. Stone is another one of Koba's friends and one of his loyal followers along with Grey. Like Grey, he is mainly seen by. If you’re planning a pre- ’Dawn’ viewing session to get yourself in the mood, or if you leave the theater buzzing for more ape- on- human action, here’s our rundown of every . But enter 2. 00. 1- era Tim Burton who entirely seemed to mistake the surface of the concept for its substance (this was before this very tendency had fully manifested itself as his fatal flaw), and so managed to deliver a totally incoherent and tin- eared version of the story, while still spending $1. And in fairness to him, a lot of that money is up there on the screen: Rick Baker’s make up and creature effects are pretty outstanding; the apes’ clothing and armor is wonderfully well- designed; and the world is built with an eye for scale and spectacle. But underneath that impressive gloss (which occasionally feels almost distractingly overdesigned, viz Helena Bonham Carter’s Ari with her eyeliner and shaggy but unmistakably coiffed bob) the actors struggle to invest a paper- thin story with any real emotional heft, not helped by Mark Wahlberg delivering one of his most blank, bland and overwhelmed performances at the center. Worst of all, in a franchise kind of famous for spectacular dismounts, Burton’s films ends in a way that simply feels unearned, with a kind of unexplained gotcha! Despite the film’s decent showing ($3. God–reportedly Burton himself said he “would rather jump out of a window” than do another . Lee Thomson, 1. 97. The fifth and final entry in the original franchise . It’s hard to get the same feeling of awe and epic scale that the series’ best installments can offer when you’re essentially watching ten guys squabble in a forest, and yet, shoddiness of staging and editing aside (take the risible climactic Caesar vs Aldo tree battle for a prime example of both) you can still see enough here story- wise to justify the fact that it forms the loose basis for this week’s triumphant . The belligerent Aldo, the gorilla general of the ape army chafes against Caesar’s pacifism, however, and so while the film also has antagonists in the form of a mutated human army (again, of about ten, who ride to war on a school bus), it’s really more about the factionalism within the ape ranks. One casualty of that is the human characterization—while Mc. Dowall is strong again in his signature role, his assistant Mac. Donald (Austin Stoker) is the only human with any amount of dialogue apart from Severn Darden as the enjoyably batshit irradiated rebel General, and what he has is mostly expository. Still, there are flickers of previous . Interesting, but somewhat confused—it’s possible there is simply too much factionalism going on at this point, too many mini- internal conflicts, not to mention references to God, to work out the film’s overall position or philosophy. Still it does provide, as ever, a vehicle for a very peculiar kind of meta species self- disgust for us humans, as when Aldo the gorilla is found out to have committed ape- on- ape murder and Mac. Donald wryly observes that it “looks like they’ve joined the human race.” Poorly shot, carelessly thrown together and outside of Mc. Dowall and Darden rather listlessly acted, what’s surprising is that there’s still enough story juice here to power . The movie begins right after the big reveal that capped off the first movie, with Taylor (Charlton Heston, who supposedly donated his sizable check for what amounts to a “guest appearance” to a charity of his choosing) venturing further into the Forbidden Zone. After the earth starts to crack and flames shoot out of the ground, Taylor disappears, leaving the mute (but incredibly hot) Nova (Linda Harrison) to find help. It turns out she doesn’t have to look far, because Brent (James Franciscus), an astronaut who has traveled into the same portal looking for Taylor and his crewmates, shows up. This is problem #1 with “Beneath the Planet of the Apes: ” James Franciscus is fucking awful. He looks sort of like Heston, something producer Richard Zanuck later said was a deliberate attempt to confuse the audience, but none of his gravitas or gruff charm. Lee Thompson, 1. 97. The “Planet of the Apes” films had always been political, but with “Conquest of the Planet of the Apes,” things got angry. And it was awesome. Continuing the tradition of the sequels having bigger canvases but smaller budgets, “Conquest of the Planet of the Apes” takes place in the nebulously phrased “North America – 1. Century City, an urban tangle built on land formerly owned by 2. Century Fox. In the years since “Escape from the Planet of the Apes,” a virus has killed off most of the domesticated pets on earth, leaving apes to supposedly fill that role (and so much more). These apes are basically slaves, and so it’s up to Armando (Ricardo Montalban, back again, this time sporting some wispy facial hair) to protect the super smart child of Cornelius and Zira, Caesar (Roddy Mc. Dowall, this time playing his own son, something he described later as “a unique acting challenge”). Of course, Caesar is found out and put through the process the rest of the apes face, a kind of training program/internment camp, which serves to militarize him, until he eventually leads a violent ape revolt against the human oppressors. Mc. Dowall is, once again, flawless, and one of the most touching moments in the entire franchise is when he discovers that the human government has murdered Armando. As tears roll down Mc. Dowall’s make- up- coated cheeks, there’s no doubt that this character is 1. Shortly before “Conquest of the Planet of the Apes” was released, the studio got skittish about the movie’s level of violence and its incendiary political subtext (which referenced everything from America’s history with slavery to more contemporary issues like the Watts riots), and softened the ending, which had Caesar leading an all- out execution of the human prisoners (“Ape management is in the hands of the apes”). That version has been beautifully restored for the Blu- ray release and is the essential incarnation of “Conquest of the Planet of the Apes,” which has its share of cheap drive- in moments but is also surprisingly cerebral and dark. It also set the stage to a truly explosive finale to the series, which unfortunately ended up not coming to pass (see . Bursting out of the gates from the standing start of a moribund franchise whose last attempt at rejuvenation (Burton’s 2. But two major factors allowed it to do just that: an industry in which the fields of motion- capture technology and computer generated imagery had made exponential strides forward in achieving photorealist creature effects, and a cracking script that makes the characters of the apes, particularly Caesar, as unforgettably performed by mo- cap superstar Andy Serkis, among the most complex and rounded of recent blockbuster protagonists. Again, perhaps the human characterization suffers a little by comparison—James Franco is not on quite the sleepy- eyed autopilot he is elsewhere but he’s not an especially interesting human foil, and we instantly forgot Freida Pinto was even in this—but perhaps that’s all the better for us to become invested in the apes, not just Caesar but the Maurice the orangutan who knows sign language, Buck the gorilla and the bitter bonobo Koba. For the majority of its run time, the film is a complex, absorbing piece of work, as we watch the watchful Caesar progress from observation to comprehension to the planning and organizing that indicate vastly superior intelligence, all through the minutest of performance details. Indeed the almost- silent- movie- style heist sequence in which Caesar leaves his “prison,” to steal the intelligence- enhancing gas is as fine an example of pure cinema as the tentpole has yielded recently, all culminating in that first, shocking spoken word–“No.” In fact, . Before the bomb went off at the end of “Beneath the Planet of the Apes,” it seems that a trio of chimpanzee scientists – Cornelius (Roddy Mc. Dowall, back thank god), Zira (Kim Hunter) and Dr. Milo (Sal Mineo) jumped in Taylor’s derelict spacecraft and traveled through the same wormhole that brought him to the planet of the apes, only this time they were the ones landing on a human- filled earth circa 1. It’s an ingenious set- up that works well, complete with a dynamite pre- opening credits sequence where the spacecraft returns to earth, greeted by adoring members of the military who assume it’s Taylor and his crew (or, we suppose, that wet blanket Brent) but instead are greeted by a trio of human- sized chimpanzees—the sequence sets the tone for the movie, with its mix of fish- out- of- water commentary and uneasy tension. The first half is the lighter half, with talking apes Zira and Cornelius being given human clothes and treated like celebrities (“The biggest story since the moon landing” is one reporter’s grave opinion). This section of the movie is fun and funny (we love it when, while making an introduction to a tribunal, a priest gets worked up over the fact that Zira and Cornelius are married) but leads to a darker, more morally complicated second half, when Zira announces that she is pregnant and the government, aware that the visitors have come from an ape- dominated future- world, do all they can to terminate the pregnancy. The real star of “Escape from the Planet of the Apes” isn’t the ape make- up, which, with so few ape characters, returns to the sophisticated glory days of the original, but Mc. Dowall, who is able to show surprising range as Cornelius, first displaying his fine comedic chops (when the same tribunal asks Cornelius if he can also speak, he says, “Only when she lets me”) and his penchant for drama, especially towards the tragedy- streaked conclusion. Please try again later. Directed by Soumik Sen. With Madhuri Dixit, Juhi Chawla, Divya Jagdale, Priyanka Bose. A fearless woman fights social injustice; creating a sanctuary for abused women.After his wealthy family prohibits him from marrying the woman he is in love with, Devdas Mukherjee's life spirals further and further out of control as he takes up. Bollywoodtarane is a unique script which allows you to search for songs, find information about them, listen and download them. Online Filmi. |
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